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Tactile Treasures Unveiled A Royal Tribute to Inclusivity The Queen’s House in Greenwich has introduced a groundbreaking exhibition that allows visitors to experience art through touch. This innovative approach pays homage to Her Majesty’s commitment to accessibility in the arts. The exhibition features a variety of ‘touch objects’ carefully selected to provide a multi-sensory experience

The Queen’s House in Greenwich has introduced a groundbreaking exhibition that allows visitors to experience art through touch. This innovative approach pays homage to Her Majesty’s commitment to accessibility in the arts. The exhibition features a variety of ‘touch objects’ carefully selected to provide a multi-sensory experience for all visitors, regardless of visual ability.
Visitors can now engage with history in a uniquely tangible way. The exhibition includes finely carved oak bosses, reproductions of fireplace decorations, and examples of various materials and decorative techniques. These objects offer a rare opportunity to physically connect with the craftsmanship of bygone eras, bringing the past to life through the fingertips.
Each touch object is accompanied by an audio point, providing context and guiding visitors through their tactile exploration. These audio descriptions offer insights into the history, design, and significance of each piece, creating a rich, immersive experience that combines touch and sound.
While particularly beneficial for visually impaired visitors, the exhibition is designed to enhance the experience for all. It challenges traditional museum norms by encouraging physical interaction with exhibits, fostering a more inclusive and engaging environment for everyone.
The exhibition is the result of a collaborative effort between curators, conservators, and the museum’s Learning & Interpretation Department. This interdisciplinary approach ensures that the selected objects are not only historically significant but also durable and suitable for handling.
The King’s Gallery, known for its rotating exhibitions from the Royal Collection, now offers a new dimension to its displays. Visitors can experience rare furniture, decorative arts, and even reproductions of old master paintings in a way that was previously impossible.
The exhibition spans various periods, featuring everything from Georgian portraits to contemporary pieces like Alberta Whittle’s “Feeling Blue” tapestry. This diverse collection offers a unique opportunity to trace the evolution of art and craftsmanship through touch.
This tactile approach to exhibition design opens up new possibilities for education and interpretation. It allows visitors to engage with history and art in a more personal and memorable way, potentially revolutionizing how we learn about and appreciate cultural heritage.